Photographic Composition – Shadows, Lights and Silhouettes
Light and shadow are two concepts that are hard to distinguish, at least in real life. We are used to searching and finding shadows in any situation where there is a light you would imagine, on a sunny day, in the Plaza of Spain, to turn around and not see your projection on the ground, that shadow that accompanies you When were you born
If in nature the shadow is something ubiquitous, the same can not be said of photography in some particular contexts the shadow can be deleted http://smilesmultimedia.com, eliminated. Or, on the contrary, exalted, emphasized.
But a shadowy picture is a flat picture, it’s a snap shot. Take a look at the photos available in the online stores all the photos of the products are made with the still life technique, fine photos of themselves, great for presenting the product … but then stop.
The shadows are often manipulated and arranged in a wise manner by the photographer to give his shot a particular meaning, in order to communicate a particular feeling to the observer. Manipulation that, as we will see in another article, is also carried out using a large number of illuminators and flashers being able to direct or change the size of a shadow means to make a difference. Using shadows adds reality to a click, at the limit of dramatic. Shadows can create a sense of quiet as opposed to suffering and sadness it is for the photographer to be able to play and know how to give them the meaning that is closer to what he wants to communicate to his observers.
Obviously, shadow in photography does not just mean darkness, but also small differences in tones between different areas. An example of this is given by the lack of vignetting, or those shadows that, due to various reasons (referring to the relative article) may appear along the edges of the photograph. Vignetting is something that always tends to eliminate, so much so that a lot of digital SLRs have preloaded correction programs … but why do you delete it Vignetting, in many cases, can help us focus the attention of the observer in the center of photography. Remember when I talked about the possibility of inserting hindrances in the photo to let the eye not wander around the scene but focus somewhere Here, vignetting is just one of these impediments. And vignetting is nothing more than a shadow.
Try to take a look at all the photos you have done so far how many of these is a shadow Probably in all. How many of these pictures are imaginable without those shadows How many of those photos would be distorted, private of their vitality
Let’s take a simple and explicative example. Let’s take this picture